Frances Presley
King's wood
leave to impark his woods and hills
a recognisable true tree
the endless spread
their endless break to the ground
lost branches
fell aground fell bed
this crown is not the crowns
so little hair
- I did not bother with a brush
nails will naile on the pales if none be lost
a palisade to protect saplings
green plastic covers
- I’d better get my waterproof
leaf spots yellow brown
will not leave
oak serratives
sun cradled
shooting below
sparse branches
shed branches
lifted off
hape shape
gape
fissured
tail
wild oak
trunk may be
straight
crook
ed
cor~
k
scr~
w
epi
cormic
twigs
sprout through bark
grow in patches
fur the whole trunk
or absent
leaves open early
fall late
leafage dense
or
sparse
Hatfield forest
for Peter Philpott
missed mistle
oak on the shore
line spread out
your toes press down
these joins are still in use
and now the roar and now the roar
an aeroplane and then another and another
and then air o air a plane and a plane and other planes
skim round or wait motionless
a stack of geese keep circling
or rising insatiable hoor shore
thorn thrust
inside the oak
it comes in the thorn
crosses old branches
lie lie lie sleeping banks
let lulled too lie
allow the murmur
the murmurous shore of propulsion
I’m big mummy duck Stink, you swim in your own shit
Look at the dirty big animal
they fly in their own
white foot raised above the water
Copyright Frances Presley 2014
Frances Presley lives in
north London. Her publications include Paravane: new and selected poems, 1996-2003 (Salt 2004); Myne:
new and selected poems and prose, 1976-2005, (Shearsman 2006); Lines of Sight, (Shearsman 2009); Stone
settings with Tilla Brading (Odyssey 2010) and An Alphabet for Alina with Peterjon Skelt (Five Seasons
2012). Her work is in the anthologies Infinite Difference (Shearsman 2010),
and The Ground Aslant: radical landscape
poetry (Shearsman 2011). She
contributed to a collection of poetic autobiographies, Cusp (Shearsman 2013). She
has translated the work of Norwegian poet Hanne Bramness, most recently No film in the camera (Shearsman
2013). Her next book, halse for hazel, will be published by
Shearsman in October.