Iain Britton
SCREAM PARTICLE
a lyrical mayhem
of mortality hope mischievousness sexuality
twists into a prism
commuters going home
count their spare body parts lucky
to be engaged
i maintain the mindset
i fit into this rush hour
of those huddling together
via tunnels / i fit into the demographic vernacular
of cross-city living
apartments have adapted celebratory hideouts
for handmade devices
which go off with a bang
the generalissimo’s men stand still
rapid-fire heroes hit their targets
they make love to recoil mechanisms /
holy words on walls
they attain forensic enlightment
and leap out of windows
like paper paratroopers
they look amazed
at the rebuilding urgency
of another Carthage
in the middle of the road
a girl opens her mouth
as if choking
on a dawn chorus
a congregation’s hymn /
in the middle of hills made of silk
with trees on fire
the girl opens her mouth
to the breath of a hollowed-out bone /
travelling inwards
it reverberates silently
the sunset captures her
in a snapshot
running into a lense
into a glass eternity / down
a yellow corridor
i hop off / hop on trolley buses / i
bed down in terminals
clothe myself in newspapers
i hold on to all i can of this naked exposure
gone global
incandescent
a still life preserved in a prism
rain washes the fingerprints
of insurgency
from her skin
like her i open my mouth
for no other reason
than to mime the eating of an apple
to eagle swoop a fox to mime
a mushroom cloud’s love dance
i worship at the world’s
only stockpile
of terracotta apostles
like her i walk through a drowned valley
of handwritten meditations
and enter the zionic
commuter rush
of a star drop
gone radiant
i try repeatedly
to fit into the crystal skull
of her elliptical orbit
DIGITAL TAPESTRY
1
consider the cross-country conventions
the lake
is as good a place as any
to mention
or perhaps the hill
which often sleeps yawns acts like a man
swipes recklessly at aircraft
at kites balloons children
springing high
for birds
2
i procrastinate
the grubs in the garden
wait for their happy toxic hour
a green runny beverage brewed exclusively
i wait for the bureau of investigation
to sort out their kitbags of troubles
for whose language
survives this digital tapestry
this brother’s birthright
3
angels in fatigues
fly sorties into broken love triangles
not all is to do with aerodynamics
is guaranteed a soft landing
Halley’s comet
is seen topping the country’s star charts
sparking a media frenzy
for those of us fascinated
by sucking on our teeth
the taste of old calcified sites
in the cosmos
4
the upheaval
within the sanctuary
of my island confinemnt
attracts very little comment
the locals hardly notice -
the fishermen bend reflections
to catch leaping rainbows
they don’t see the mouth in the cave
the woman plaiting her sons and daughters
into her story for voices / they don’t see the woman
in the cave / or see me listening
**
i leave off
what should’ve be done this morning / i should
know better than to
abandon the notion
of denying myself matters pastoral
her fingers
quickly exploit
the dyed-red outline of my shadow
the wet rough walls
of moss and lichen
5
she’s a smooth operator
who at this moment
is planning
for the vocal realisation
of her vision
of Hiruharama’s next stop
a world sweet and sickly
sniffing the voodoo resurrection
of a tall yellow poppy
Copyright Iain Britton 2014
Since
2008, Iain Britton has had five collections of poems published: Hauled
Head First into a Leviathan, (Cinnamon Press), was nominated for Best
First Collection category in the Forward Poetry Prizes, 2008. Further
collections followed: Liquefaction, (Interactive Press, 2009), Cravings,
(Oystercatcher Press, 2009), Punctured Experimental, (Kilmog Press,
2010 ) druidic approaches, (Lapwing Publications, 2011), plus two
pamphlets - the psychology of a river, (Greendoor Publishing, 2012)
and tusitala of white lies, (Like This Press, 2012). His work was included in the Shearcatcher
Poetry Anthology published by Shearsman Books, 2012. A new collection
of poems will be published by Kilmog Press later in 2013 and then Rufus Books
in 2016.